Instead of bleak urban backdrops for his creations, he has crafted a stunning and unique underwater sculpture park in the shallow waters off the West Indies island of Grenada.

His desire to create striking and meaningful art forms and his love of the underwater world led him to explore the intricate relationships between art and the environment.

For Grenada, this has resulted in a series of beautiful marine seascapes that have formed a series of artificial reefs, drawing new life into areas which have been damaged by nature's raw power and mans intervention.

Jason discusses his work in a video interview with Miranda Krestovnikoff, one of the UK faces of a new global web TV channel, The Underwater Channel.

Miranda, also a BBC One Show / Coast presenter, explores Jason's motivations and shows footage of his installations demonstrating the beauty of the structures and the way they interact with their environment. In some zones, the shifting sands of the ocean floor can change the whole viewing experience from moment to moment.

The sculptures are sited in clear, shallow waters to allow easy access by divers, snorkellers and those in glass-bottomed boats. Jason is keen to engage local people, particularly children, in his work to build a direct relationship with and understanding of their own precious natural resource.

The physical nature of the underwater world is vastly different from that of dry land. Objects appear 25 per cent larger underwater, and as a consequence they also appear closer. Colours alter as light is absorbed and reflected at different rates, with the depth of the water affecting this further.

The large number of angles and perspectives from which the sculptures can be viewed increase the unique experience of encountering the works.

His first work, Grace Reef, was built in a bay where the coral growth and natural habitat had been decimated by Hurricane Ivan. It comprises 16 statues, each cast from a local Grenadian woman.

Located across an expansive underwater area the work draws marine life to a zone that has suffered substantial and sustained storm damage. The direction and strengths of currents mean that entire sections of the work become covered, hidden and lost. At other times figures emerge and are fully visible.

Another major work is Vicissitudes comprising the extraordinary visual impact of a circle of 26 life-size children of diverse ethnic background, all holding hands and facing outwards.

The cement finish and chemical composition of Vicissitudes actively promotes the colonisation of coral and marine life. This natural process echoes the changes experienced through growing up and shows ho

http://www.telegraph.co.uk/earth/environment/3538787/Underwater-sculpture-park-off-Grenada-is-stunning-and-unique.html